Jonathan Harris (b. 1988) is a Detroit-born visual artist whose roots deeply influence his creative expression. He honed his skills at the Detroit School for the Fine and Performing Arts before pursuing Graphic Design at Henry Ford Community College and Studio Art at Oakland University. Working primarily with oil paints, acrylics, and charcoal, Harris has distinguished himself through his mastery of an oil enamel technique, yielding striking, high-contrast portraits devoid of traditional brush strokes.

Harris's art reflects his emotive connection to current events and the African American experience. Through his work, he seeks to raise awareness of social and global issues while fostering a sense of pride within the Black community. His impactful pieces have garnered significant attention, featuring prominently in media outlets such as PBS American Black Journal, CBS Local, the Detroit Free Press, and the Michigan Chronicle. Notably, his painting "Critical Race Theory," a response to recent controversies, has ignited widespread dialogue on social media platforms worldwide.

Harris's art has found homes in esteemed collections, including the N’Namdi Center for Contemporary Arts and those of notable individuals such as David and Linda Whitaker and Michigan State Representative Shri Thanedar. Beyond his artistic endeavors, Harris has contributed to the cultural landscape as a juror for Canvas Pontiac 2022 and through exhibitions at venues like Swords to Plowshares Gallery, Christie’s Auction House, Irwin House Gallery, and Beacon Park's BONDED exhibit, which he curated alongside esteemed Detroit arts professionals.

In recognition of his impact, Jonathan Harris was named one of 2022's Influential Artists to Watch by the Detroit News and was honored with The Spirit of Detroit Award by the City Council of Detroit, Michigan. His artistic journey continues to captivate audiences and drive meaningful conversations, solidifying his position as a vital voice within the contemporary art scene.

Harris has forged a significant partnership with the University of Michigan, showcasing his work in multiple prominent locations on campus. Specifically, he has two pieces displayed in the Abeng multicultural lounge and an additional piece featured in the Asubuhi lounge. Furthermore, his artistic contributions extend to the South Quad hallway, where he has created both a captivating mural and another distinctive piece of art. Through these installations, Harris's creative vision enriches the university's cultural landscape, offering students and visitors alike an opportunity to engage with his thought-provoking artwork.